Microfilm-covered indoor models is one (of many)
aspects of model airplane building and flying that I've always wanted to try, but never found the opportunity.
You might be tempted to think this is the exclusive realm of white-haired old men, and admittedly it
nearly is, but when you look at contest coverage in the modeling magazines, it is heartening to see
a good showing of youngsters. For that matter, the same holds true for just about all forms of model
aircraft these days except for radio controlled airplanes and helicopters. As recently as a couple decades
ago, radio equipment was too expensive for many younger modelers to buy, so those who aspired to hobbies
involving airborne craft had to settle for free flight and control line. Now, the department store shelves
hold no control line or free flight models, but a nice selection of miniature R/C helis and airplanes.
But I digress. This article by John Zaic is a very comprehensive set of instructions on how to cover
airframes with microfilm, enhanced by many photos of the actual process. It would be nice to see an
complementary building article, and maybe there was, but if so I don't have that issue. Maybe someday.
Facts About Microfilm Covering
Ninety-nine out of one hundred modelers do not know how to make microfilm. Nine out of ten never
heard of it. Now we have no excuse to avoid a slow-motion model!
by John Zaic
Light reflected in colors from microfilm indicates thickness: clear and green too
heavy, red-green, red-gold, red-violet progressively thinner.
The wonder indoor model covering material, rainbow colored and gossamer thin - microfilm - was discovered
and introduced to us by Bob Clary and his friend, Jerome Kittel, around 1930. It was the most important
contribution ever made to indoor model construction and it has made present records possible.
Microfilm is so thin that light reflected from its surface is colored just like that reflected from
oil rings in the water. The thickness is believed to be one ten-thousandths of an inch. Its weight is
approximately .003 oz. per 100 sq. in. The film is made of a pyroxlin mixture that is poured on water.
A plastic sheet is formed on the surface and is picked up with a wire hoop. The model structure is then
covered with the film.
Made from 1/8" aluminum close line wire. Hoop should be 3" wider all around that
the wing it will cover.
If practice facilities were available, Pete Andrews, the present world indoor record holder of 32
minutes-plus, believes the record today would be near 40 minutes!
And now for a bit of fantasy in regard to a 60 minute indoor model. There is a rumor that air foam
plastics have been made so light that they float in air. The foaming agents give off hydrogen gas which
is trapped in thousands of plastic cells. The gas probably diffuses in time.
Use bottle cap to pour solution on water. Start at one end, rapidly pour solution
down middle t other. Less solution for thinner film.
Another interesting thought is an old one. Remember how you laugh when someone suggests that you
fill the wings and fuselage with gas, like a Zeppelin, to make the model lighter so it will fly better?
Brother, if you are an indoor builder, don't laugh too quickly. Microfilm is quite dense as a membrane.
Compare the weights of a rubber balloon and an indoor model. Note the weight of hydrogen in comparison
with air. Remember, indoor contest rules permit 300 sq. in. of wing area.
Holding handle, place hoop on film. Slide hoop to one side first, then the others.
This action accordions excess film and packs it against hoop.
The author made a 6-in.
cube with edges of 1/32 in. square balsa and covered it with microfilm. The air inside was displaced
with hydrogen. The cube, when released, hit the ceiling. In other words, a double surfaced indoor wing
with the air inside displaced with hydrogen may lift its own weight, but the other components would
make the model a heavier-than-air craft. The total weight would be less than that of a standard model.
Gas diffusion would be the main problem. I think it is an interesting idea.
Using wet finger, push the rest of the surplus film against wire, then over wire
in order to hold it to hoop for lifting.
It is not easy to buy a prepared microfilm solution. Jasco has a special contest solution, used by
Pete Andrews, that sells for $2.50 a Pint. Preparing a microfilm formula is a tricky affair and there
are hundreds of formulas. An excellent beginner's mixture consists of the following:
To pick up film from water, carefully move hoop to one side of tray, slowly tilt
up one side, ten slide forward and lift hoop up and over.
To 1 oz. of DuPont Duco Lacquer 1907 (Clear), add eight drops of castor oil. Mix well and allow to
settle a while before using. The lacquer is bought from dealers who stock duPont automobile lacquers.
You may try using more or less oil, or no oil at all, until you get a type of film that you like. Olive
oil may also be used. The experts use Tri Cresyl Phosphate and that may be ordered through the drugstore.
Film made without oil may split easily and is difficult to pick up from the water. Oil will make
the film slightly elastic, so that if it is touched accidentally it will bend in a bit instead of splitting
instantly. At most a small. hole will be made that can be patched. Tri Cresyl Phosphate is preferred
to castor oil because it will make a film flexible with almost no tackiness that collects dust. It is
better to use too little oil than too much.
Wings, stabs: cement strip wood to suitable surface. Place adhesive on frame. Wet
bench (dark circle). Press hoop against strip, lay down on frame. Press film to frame with dry finger,
but do not press to ribs.
The consistency of the lacquer is very important. A too thin mixture, when poured on the water, will
spread star-fashion in all directions and will not form a sheet. A too heavy mixture will spread out
only a short distance and then stop. Evaporation will thicken the mixture and the manufacturer's thinner
applied to reduce it.
The thickness of the microfilm is determined by the color of light it reflects. Transparent clear
and green are seldom used, being roo heavy. Red green, red gold and red violet are the popular sheets
used, with thickness diminishing rapidly. Dark violet is about the thinnest that can be used and is
used for ROG's or small areas. Silver is so thin that I don't believe it has been picked up from the
water. By using less solution for a given water tank, the sheets will become thinner.
For extra light frameworks, adhesive sometimes applied after film put on. Aluminum
tube, about 1/32 in. inside diameter, dipped in adhesive, placed back edge wing spar, piercing fil.
Liquid flows along spar.
A bathtub is ideal for making microfilm Any container that can hold about a 1/2-in. of water and
is about 4 in. larger all around than the wire hoop used is satisfactory. Oilcloth placed over a simple
wooden frame and filled with water will do. The temperature of the water should be about 65°.
Simple frameworks moistened with adhesive, laid on microfilm, removed from hoop by
hot iron or small brush moistened with thinner, acetone.
Aluminum clothesline wire, about 1/8 in. diameter, is excellent for the hoops. I use a kitchen pot
to bend it round and all-rubber electrician's tape to hold the handle part together. Take considerable
pains to make the hoop flat.
Saliva is used as an adhesive to stick microfilm to framework. Rubber cement diluted about 10 times
with benzine has been used. I use Esso spot remover plus some varnish and find it works very well, especially
on ultra light construction. The Esso spot remover can be purchased at some gasoline dealers. Any adhesive,
except saliva, should be first tested to see that it does not dissolve the microfilm.
How to make and cover with "mike" is shown in the accompanying sequence of pictures.
Apply saliva with a brush if necessary. Roll prop again, press film in place at center, trailing
edge, cut out. Thus, all way around the prop.
Hub not covered. Hub rests on wire hoop throughout. Paper strip, saliva cemented across film, conserves
material. Take out wrinkles with heat.
Position of hoop as it is finally lifted without breaking film. If you can lift red-violet film without
breakage, you're an expert, says author.
Dihedral: Adhesive on dihedral rib. Nick edges, lift tips, blocks for angle, cement joints. If wrinkles,
draw wet brush along dihedral rib.
Prop: Apply saliva to ribs, outline. Place leading edge on film, be sure it adheres. Cut out with
hot soldering iron, or acetone soaked brush.
Roll prop on film, make sure trailing edge near tip adhered to film.
Press film to frame with
finger if necessary, cut out again with hot iron.
Posted March 1, 2014